In the middle of the village, on a pillar, there is a sculpture of the Virgin Mary of the Seven Sorrows, designed in the manner of the Pieta from Šaštín. Today it is without accompanying inscriptions. It is generally stated that the work originated in the early 19th century. The stone used in its construction was the Dobrovenec conglomerate. More originally, it was surrounded by four corner stone pillars, connected by wooden beams. In 2005, not the most professional restoration of the sculpture took place. Pieta has been a National Cultural Monument since 1963.
In the middle of the village, on a pillar, there is a sculpture of the Virgin Mary of the Seven Sorrows, designed in the manner of the Pieta from Šaštín. Today it is without accompanying inscriptions. It is generally stated that the work originated in the early 19th century. The stone used in its construction was the Dobrovenec conglomerate. More originally, it was surrounded by four corner stone pillars, connected by wooden beams. In 2005, not the most professional restoration of the sculpture took place. Pieta has been a National Cultural Monument since 1963.
Slovak
Czech
Hungarian
German
